天下无双

Out-of-work Chinese actors turn to theme parks as immersive characters after AI squeezes short-drama jobs_我的网站

一 |     Some three million Vietnamese were affected by direct contact with dioxin in that decade.,14% of the territory of South Vietnam was exposed to this toxin, causing severe consequences for the land and nature. Five thousand square kilometers of mangrove forests were almost completely destroyed; about 10,000 square kilometers of jungle and more than a thousand square kilometers of lowland forests were affected. American troops destroyed 70% of the coconut plantations and 60% of the Gewea plantations; they also changed the ecological balance of Vietnam.,The affected areas lost 18 out of 150 bird species; nearly all amphibians and insects disappeared; the number of fish in rivers decreased, and their composition changed. The microbiological composition of soils was disturbed. Changes in the fauna resulted in the replacement of black rats, which are safe for humans, with other species that were plague carriers. Alterations in the mosquito species composition led to the introduction of malaria-carrying ones. Dioxin: A Permanently Exploding Bomb The large-scale US use of chemical warfare in Vietnam lasted until late 1971. But this war was not over for Vietnam itself, said Professor Andrei Kuznetsov, director general of the Russian Division of the Joint Russo-Vietnamese Research and Technology Tropical Center, in an interview with Sputnik.,“This is because dioxins, once inside the human body, begin to work like an HIV infection. If a person is completely healthy, they do not affect him. As soon as the human immune system weakens and any disease begins, dioxins immediately get integrated into the disease chains and start working in their own way. No one knows just how. They can cause cancer, damage to the liver, skin, respiratory system, and much more. Dioxin pathology is very diverse. And the most tragic thing is that it is inherited through mother's milk. More than a million and a half Vietnamese in the three postwar generations have suffered from it. For an extremely long time, for many generations, dioxins will continue to be passed on from women to their children. Moreover, there is no minimum permissible dose for dioxins,” says Andrei Kuznetsov.,Today, Vietnam faces the ever-present threat that children will be born with a wide variety of defects. To this day, several villages there are closed to the public, where children are born into families with various deformities. There are several specialized boarding schools where children with genetic defects live. Scientists from different countries have been studying the effects of dioxin on soil for a long time, but only in temperate and northern climates. No one has studied its impact in the tropics. There have been no studies on what happens when dioxin molecules enter the soil under tropical conditions, continued Professor Kuznetsov.,“The Joint Russo-Vietnamese Research and Tropical Technology Center is the first and only one to address this issue. It was commonly believed that dioxin molecules were insoluble. Supposedly, humus binds them and they remain in the top layer of the soil. One could bulldoze or even shovel it and burn it. But it turns out that things are different in the tropics. Dioxin molecules bind with various acids in the soil, forming new dioxin-containing molecules that become water-soluble and water-permeable. They mix with rainfall streams, sink into the soil, get transported by subsurface water, and subsequently enter wells, lakes, rivers, and seas hundreds of kilometers away from where they were sprayed. This situation persists in Vietnam to this day. There are several ‘hot spots’; places where, during the aggression, the Americans stored barrels with chemical agents. When they left Vietnam, they shot these barrels with large-caliber machine guns and left them there. For example, this happened in Da Nang, which was one of the largest US military bases. And the same happened at the US military base in Bien Hoa. These two former bases are still the largest and scariest hotbeds of contamination,” said Andrei Kuznetsov.,The expert also noted that the Americans recently have conducted a demonstrative action in Da Nang – and have now begun it in Bien Hoa – to decontaminate the soil to a depth of two meters in those places where barrels with warfare agents were stored. But they don`t check the level of dioxin contamination even within the radius of 200-300 meters from the storage sites. Meanwhile, subsurface water transports pesticides far beyond those limits.,The Mission of Joint Tropical Center The Joint Russo-Vietnamese Research and Technology Tropical Center has been studying the consequences of the US chemical war in Vietnam since its founding. In fact, it was established precisely for this work, noted Professor Kuznetsov.,“We were tasked with determining whether contact with dioxin leads to genetic changes in humans and has a detrimental effect on soil, flora, and fauna. Our conclusion - yes, it does. The results of our work were published and reported to the leadership of Vietnam’s Ministry of National Defense and Ministry of Health, together with our scientific and practical recommendations on combating various dioxin-related effects. At the same time, we noted that the most effective, global way to prevent dioxins from damaging people is to take maximum care of their health. That is, Vietnam needs to invest much more in health care than countries that have not been exposed to this toxic chemical. We cannot yet say when the effects of US chemical warfare will cease in Vietnam. After all, Vietnam is the first and only country to have been exposed to such massive amounts of poisonous substances,” Kuznetsov concluded.。    

    Chinese actress Luo Xinyuan played Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Photo: Courtesy of Luo XinyuanAs China's once-thriving live-action short drama industry looses speed due to the weight of AI-generated content and shrinking investment, a growing number of young actors who once starred in micro-dramas are moving to a different kind of stage: playing roles at cultural tourist attractions. 
There, they play martial arts heroes and folk characters for live audiences, finding steadier income and real-time connection with viewers. 
"Earning a living with your own hands is nothing to be ashamed of," actress Luo Xinyuan told the Global Times, even as many still hold out hope, waiting for good scripts.
The migration reflects a stark reality. In the first quarter of 2026, AI micro-dramas accounted for more than 95 percent of all micro-dramas released industry-wide, sharply squeezing the space for live-action productions. 
By July, pay for leading actors had shrunk by over 50 percent, mid-tier actors by more than 80 percent on average, and daily wages for bottom-rung extras had fallen into double digits, China's CCTV reported.
Luo, a 21-year-old actress, experienced the downturn firsthand. She came to Hengdian, China's largest film and television production base, to shoot short dramas. "When I first arrived, there were many crews preparing in one hotel. Now sometimes there are only one or two, or none," she told the Global Times. 
This May, she began playing the role of Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Her daily routine includes interactive stage competitions, parades and live audience interactions, working nearly 13 hours daily during the peak summer season.
"It's tiring but fulfilling," Luo said. "There are no scripts here. It's more about playing with visitors face to face." The change has eased her anxiety. "When I was filming, I kept worrying about the next job. Now I feel more stable."
Yin Jiaxuan, 25, took a different route. He started his career as a professional character performer at major theme parks, starring in immersive shows based on popular game and film IPs before transitioning to short dramas and online movies in mid-2024. 
At the industry's peak, he moved seamlessly between sets. 
"One crew wrapped, and the next was already arranged. I'd go straight to makeup the next day and start filming the day after," he said. Now he keeps both identities, taking film roles when they come and returning to scenic spots during holidays.
Yin rejects the stigma that screen acting is the only proper path. 
"Screen acting is seen as the professional main road, while street-level performance is treated as amateur work. This invisible prejudice has trapped many performers," he said. Yet the tangible stage offers something the camera cannot. 
"Performance comes from life and is higher than life - that is the core of film creation. But now I realize that beyond artistic expression, performance is about building human connections."
Both actors shared that theme park characters must do more than act; they must draw tourists into the scene, delivering emotional value on demand. Visitors come to the scenic spot not just to sightsee, but "to step into a fantasy."
    Yin Jiaxuan Photo: Courtesy of Yin JiaxuanScenic areas are reaping the benefits. Media outlets have reported that in Kaifeng's Wansui Mountain Martial Arts City, Central China's Henan Province, tourists who interacted with these characters stayed an average of 2.3 hours longer per day. 
Every extra 30 minutes of stay raises the probability of secondary consumption by about 25 percent, according to local data. Revenue jumped from about 80 million yuan ($11.86 million) in 2022 to 1.27 billion yuan in 2025. 
While Hengdian World Studios has used characters to boost repeat visits, with annual pass holders returning multiple times "for a specific character."
Cultural scholar Yu Jinlong told the Global Times that the influx of trained actors is upgrading immersive tourism. 
"In the past, theme park characters were mostly amateurs doing costume photos. Now professional actors can build complete characters, improvise and connect storylines, turning scenic spots into open-air theaters," he said. 
Yu pointed out the uniqueness of China's character boom compared with global immersive entertainment. 
"Unlike Western theme parks that rely heavily on mature imported IPs and standardized performances, China's scenic character culture is rooted in local wuxia (martial hero) history and folk customs, encouraging personalized improvisation. Many local scenic spots create hit immersive projects with small investments, forming a unique online-offline communication loop via social media," Yu said. 
As China's cultural consumption shifts from sightseeing to participation, Yu said the young actors swapping short drama sets for scenic spots may be shaping a new hybrid career for the country's entertainment workforce.
For Luo, the recognition from visitors is a reward in itself. 
"There are tourists who travel from far away just to see my performance. It feels good to be recognized," she said. "Actually, I'm still exploring too. But I think you should do what you love, as long as you have the ability."
。

Current article:http://www.rangzhuanhoujuedu.cyou/ft92c/20260826/5155.xlsx

Published on:10:27:12