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一 |     近日,国家艺术基金发布《国家艺术基金资助项目经费管理情况报告(2025年度)》(以下简称《报告》)。    

A worker fulfills orders for energy-saving and environmentally friendly boilers destined for export in a manufacturing enterprise in Nantong, East China's Jiangsu Province on August 4, 2026. The enterprise offers products including industrial waste disposal equipment, with sales to more than 30 countries and regions. Photo: CNS Photo
    A worker fulfills orders for energy-saving and environmentally friendly boilers destined for export in a manufacturing enterprise in Nantong, East China's Jiangsu Province on August 4, 2026. The enterprise offers products including industrial waste disposal equipment, with sales to more than 30 countries and regions. Photo: CNS PhotoIn recent years, some economies, anxious about their own industrial competitiveness and market position, have politicized economic and trade issues, taking turns to hype false narratives such as "China overcapacity" and a "China Shock 2.0," and using them as pretexts to roll out protectionist measures.
But what are the facts on the ground?
China's Ministry of Commerce recently released a document titled China's Position on the So-Called Excess Capacity Issue. Reviewing the evolution of the global capacity landscape from a historical perspective, it offers an objective analysis of how industrial subsidies, trade surpluses, economic imbalances and market competition relate to "overcapacity," sets out China's policy practices and the direction of its efforts, and puts forward China's ideas and proposals - a forceful response to the "China overcapacity" narrative. 
Plainly, the argument that "China's inadequate domestic demand gives rise to excess capacity" rests on a logical sleight of hand - it takes a localized phenomenon at the micro level of the market and applies it wholesale to the structure of the macroeconomy, a picture far removed from reality.
China is not only a major manufacturing power but also a major consuming power. Domestic demand has long been the main engine of the Chinese economy.
To see through the logical fallacy of the "overcapacity" narrative, one must first be clear about where the Chinese economy actually sits in the global landscape.
In the course of economic globalization, China has actively integrated itself into the international division of industrial labor and become the "world's factory" in the truest sense. Chinese manufacturing has enriched the global supply of goods, lowered living costs for consumers in countries around the world, and played an important part in easing global inflationary pressure. But to define China simply as a "producer" on that basis, and from there to conclude that it suffers from "inadequate domestic demand and overcapacity," is a proposition that does not hold water.
From 2013 to 2024, domestic demand contributed an average of 93 percent to China's economic growth, with consumption and investment accounting for an average of 55 percent and 38 percent respectively. China's total retail sales of consumer goods rose from 23.8 trillion yuan ($3.53 trillion) in 2013 to 50.1 trillion yuan in 2025, doubling in size.
Measured at the World Bank's purchasing power parity rates, China's total retail sales of consumer goods in 2025 were 1.7 times those of the US, making the country the world's largest market for consumer goods in all but name. China today ranks first globally in the physical volume of goods consumed, and its per capita annual consumption of some industrial products already approaches the levels seen in developed economies.
China keeps expanding its domestic demand and is working toward a higher-level balance between supply and demand.
Growth in China's total retail sales of consumer goods has slowed somewhat in recent years, and some have taken this as proof of weak domestic demand. That reading is neither objective nor complete.
A strong domestic market provides strategic support for Chinese modernization. The outline of China's 15th Five-Year Plan (2026-30) period devotes a dedicated part to building such a market, stressing the need to adhere to the strategic focus of expanding domestic demand, to expand effective investment, to further implement special actions to boost consumption, to promote the expansion and upgrading of commodity consumption, to unleashing the potential of service consumption, to strengthening the foundation of residents' consumption and to continuously improve the consumption environment - using new demand to guide new supply, and using new supply to create new demand, so as to promote a virtuous cycle between consumption and investment, and between supply and demand, achieve a higher level of dynamic balance between supply and demand.
The slowdown in retail sales growth is consistent with China's shift from high-speed growth to high-quality development, and it also reflects the upgrading of the country's consumption structure. China's consumer market is moving faster from one dominated by goods toward one in which goods and services carry equal weight. Spending on services is growing rapidly and is expected to account for more than half of the total by 2030.
China's super-sized market is not only the bedrock of its own development but also a broad platform on which countries around the world can share in the dividends of that growth.
China has ranked as the world's second-largest importer for 17 consecutive years and is a major export destination for nearly 80 countries and regions. It has granted zero-tariff treatment to 63 countries and regions, becoming the first major economy in the world to extend full zero-tariff coverage to every African country and every least developed country that has diplomatic relations with it. It is also the only country to host an international import expo, having staged eight editions of the China International Import Expo with cumulative intended deals worth more than $580 billion. Over the 14th Five-Year Plan period (2021-25) period, China's cumulative imports topped 90 trillion yuan. These facts and figures show clearly that China is not just the "world's factory" but, still more, the "world's market."
Looking ahead, China's middle-income group is set to exceed 800 million people within little more than a decade, and per capita GDP is expected to reach the level of a moderately developed country. With vast room for consumption and ample potential and vitality, domestic demand will remain the main engine of China's economic development and will keep injecting strong momentum into world economic growth.
This was compiled and translated by the Global Times English edition based on an article published in the "Chisu Jinsheng" economic commentary column of the People's Daily on August 6, 2026.
。报告显示,2025年,国家艺术基金项目使用彩票公益金62,605.30万元,主要用于资助艺术创作生产、传播交流推广、人才培养以及必要的组织管理工作。

二 | 2013年,中央专项彩票公益金开始支持国家艺术基金项目,主要用于支持艺术创作生产、传播交流推广和人才培养等,涵盖歌剧、舞剧、话剧、戏曲等多个艺术门类。2025年,国家艺术基金严格按照《中央专项彩票公益金支持国家艺术基金项目资金管理办法》《国家艺术基金财务管理办法》等规定,规范、科学、高效使用彩票公益金62,605.30万元,有力推动艺术创作、传播交流、人才培养等各项事业高质量发展。全年实际拨付各类项目资助资金61,472.68万元,年初各项绩效目标基本达成,项目产出与实施效益取得良好成果。

资助结构持续优化,重点项目精准发力
从资助类别看,2025年资金拨付突出重点、兼顾均衡。其中,大型舞台剧和作品创作项目资助资金28,270.30万元,占拨付总额的45.99%,持续发挥对精品力作的支撑作用;传播交流推广项目资助16,464.82万元,占比26.78%;艺术人才培训项目资助12,030.94万元,占比19.57%。中小型剧(节)目和作品创作、美术创作、青年艺术创作人才等项目也获得相应支持,形成了覆盖创作、展演、传播、育人等多环节的全链条资助格局。
艺术创作硕果累累,精品力作不断涌现
2025年,国家艺术基金共资助305项舞台艺术创作项目、104项美术创作项目,涌现出一批兼具思想深度和艺术高度的优秀作品。其中,话剧《烟火人间》《北上》荣获第十八届文华奖“文华剧目奖”,歌曲《家谱》摘得第二十届“群星奖”,充分体现了基金在引导和激励艺术创作方面的重要作用。
传播交流深入基层,优质资源普惠共享
在促进传播交流方面,共资助133项传播交流推广项目,重点向革命老区、民族地区、边疆地区和基层地区倾斜,全年累计完成演出、展览993场,惠及现场观众85万人次。话剧《今夜星辰》、滑稽戏《陈奂生的吃饭问题》、舞剧《丝路花雨》等优秀剧目跨区域巡演反响热烈;《共铸中华:内蒙古特色工艺美术作品巡展》走进陕西、四川、贵州等地,有效促进了各民族文化交流互鉴,增强了各族儿女对中华优秀传统文化的认同和自信。
人才培养多点发力,队伍建设成效明显
2025年,共有134项艺术人才培训项目和140位青年艺术工作者获得资助,累计培养骨干及后备人才3800余人次,带动大批高校优质教育资源深度融入艺术领域。

三 | 中国美术学院《凉山工艺美术创新设计教育人才培训》项目搭建起东西部教育协作新桥梁,助力提升西部设计教育水平。天津音乐学院《弦乐艺术表演人才培训》项目联动多家专业机构,举办13场音乐会,为艺术人才成长提供了国际化、多元化的实践平台。

成果运用持续创新,社会效益充分彰显
管理中心持续打造“为人民绽放”展演品牌,在辽宁、安徽、河北等地开展优秀舞蹈、剧目、杂技节目展演活动,现场观众超2.1万人次,线上观看量过亿。在山东举办“共绘新时代——国家艺术基金优秀美术作品展览”,展出历年资助美术作品135件(组),吸引近9万人次观展,同步出版作品集。

四 | 在山东美术馆常设“国家艺术基金美术展”,按季度分主题展出国家艺术基金资助的美术作品。在国家艺术基金官网持续开展中小型作品网络展播和青年艺术创作人才展示活动,让群众共享艺术发展成果。十余年来,中央专项彩票公益金持续为国家艺术事业保驾护航。“十四五”期间,国家艺术基金累计立项资助项目超3500项,资助资金总额约26.2亿元。在彩票公益金的持续赋能下,一批兼具文化底蕴与艺术水准的优秀作品不断涌现,推动优质艺术资源从“殿堂”走向“广场”,从“小众”辐射“大众”,不仅生动践行了“艺术惠民”的公益初心,也让“文化惠民”从美好愿景落地为触手可及的现实。

(根据财政部网站、国家艺术基金官网信息编辑整理)

五 |

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